_______
Maybe this will explain my long absence from this blog. Please re-submit any book suggestions you've made that I failed to get posted.
Thanks,
~~~ Bonnie
First to Die is the first in the Women's Murder Club series of books by James Patterson. Four women -- four friends -- share a determination to stop a killer who has been stalking newlyweds in San Francisco. Each one holds a piece of the puzzle: Lindsay Boxer is a homicide inspector in the San Francisco Police Department, Claire Washburn is a medical examiner, Jill Bernhardt is an assistant D.A., and Cindy Thomas just started working the crime desk of the San Francisco Chronicle. But the usual procedures aren't bringing them any closer to stopping the killings. So these women form a Women's Murder Club to collaborate outside the box and pursue the case by sidestepping their bosses and giving each other a hand. The four women develop intense bonds as they pursue a killer whose crimes have stunned an entire city. Working together, they track down the most terrifying and unexpected killer they have ever encountered -- before a shocking conclusion in which everything they knew turns out to be devastatingly wrong.
In the summer of 1963 a plot for revenge destroys a career, a friendship, and a family. The consequences of the scandalous event continue to reverberate, touching the next generation. Thirty years later, over the course of one day, Jon struggles to decide whether to end his affair or his marriage. His wife, Ginny, moving closer to discovering his adultery, begins working for an older man who is mysteriously connected to their families’ pasts. And Jon’s mistress is being courted by a suitor who may be more menacing than he initially seems. As relationships among the characters ebb and flow on that July day, Christina Schwarz illuminates the ties that bind people together — and the surprising risks they take in the name of love.
The summer that eleven-year-old Eva is caught shoplifting (for the fourth time), her mother, Miriam, decides the only solution is to move out of the city to a quiet town in upstate New York. There, she hopes, they can have the normal life she longs for. But Miriam is bound by a past she is trying to forget, and tensions escalate. It is only when Eva meets a reclusive beekeeper that she-and her mother-can find their way back to each other, and can begin life with renewed promise. A haunting novel of memory and desire, The Honey Thief reveals the healing power of friendship and the ineradicable bonds of mother and child.
Self-Portrait with Ghosts is about the pain that leads to suicide, as well as the pain that suicide leaves behind. It is about the many ways we betray the people closest to us, sometimes without even knowing it, and about the healing powers of grief, forgiveness, and love. Kate Flannigan has done pretty well for herself. After a disaster of a first marriage, she's going with a great guy who is crazy about her, she has raised a loving, if slightly rebellious, teenage daughter, and has made a name for herself as a ceramist, an accomplished sculptor of portraits. She has worked hard to meet the demands of single motherhood and, at the same time, to put her sister Colleen's betrayal behind her. Kate's brother, Luke, hasn't done so well. Haunted by the early death of his father, he has struggled with depression for most of his life, and kept it a secret from his family. Only Audrey, Kate's daughter, is able to crack through her uncle's solitude. To her, Luke isn't just a substitute for the father who left years ago -- he is the only person she believes will always tell her the truth. When Luke commits suicide, the family is forced to reexamine the deceptions that have torn it apart, and to face and forgive the past and present, the real and imagined ghosts. The story is told through three compelling voices -- Kate's, Audrey's, and Luke's.
"After a late night on the town, New Haven police reporter Annie Seymour is yanked from her bed by an early morning phone call from her editor. Soon she's shivering on a wet, dark city street, staring down at the once beautiful, now broken body of a Yale University coed." "Paid to observe and get just the facts before writing up her stories for the New Haven Herald, Annie finds herself drawn to the story of an Ivy League sophomore whose secret moonlighting led to her violent murder. But after Annie links the girl's death to a network of vice and fraud buried deep in the city's shadows, the cynical reporter is shocked to discover her own mother is involved." "With help from a sexy private investigator, Annie investigates but stumbles upon one obstacle after another. Her cop lover stonewalls her, her editor pulls her off the assignment to cover a surreal parade of fiberglass cows grazing throughout the city, and an overeager cub reporter nips at her heels to get the scoop for himself." Caught in the center of a treacherous scheme, Annie must take the biggest gamble of her career - outwit a dangerous con man to uncover the truth that could win her that elusive Pulitzer ... or a mention in the next day's obituary.
The Executioner's Song is a 1980 Pulitzer Prize-winning novel by Norman Mailer that depicts the events surrounding the execution of Gary Gilmore by the state of Utah for murder. This story of the crimes and punishment of a 20th-century murderer and thief is what the author calls a "true-life novel." It is a horrifying, sad, scrupulously detailed look at the events leading up to the moment Gary Gilmore was killed by a firing squad in Utah State Prison on January 17, 1977. Based on interviews, records of court proceedings, newspaper stories, and various other documents, it covers the nine months between Gilmore's parole from prison, his final crime, and his execution.
In John Updike's fourth and final novel about ex-basketball player Harry "Rabbit" Angstrom, the hero has acquired heart trouble, a Florida condo, and a second grandchild. His son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending out mixed signals; and his wife, Janice, decides in mid-life to become a working girl. As Reagan's debt-ridden, AIDS-plagued America yields to that of George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live.
Hang on for the ride: with characteristic poetry and pluck, Barbara Kingsolver and her family sweep readers along on their journey away from the industrial-food pipeline to a rural life in which they vow to buy only food raised in their own neighborhood, grow it themselves, or learn to live without it. Their good-humored search yields surprising discoveries about turkey sex life and overly zealous zucchini plants, en route to a food culture that's better for the neighborhood and also better on the table.
Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge--she has carried her troubles with her. On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake. When Mathilda's husband comes home from the war, wounded and troubled himself, he finds that Amanda has taken charge of Ruth and the farm, assuming her responsibility with a frightening intensity. Wry and guarded, Amanda tells the story of her family in careful doses, as anxious to hide from herself as from us the secrets of her own past and of that night.