In this prizewinning portrait of a time and place — Montana in the 1930s — that at once inspires and fulfills a longing for an explicable past, Ivan Doig has created one of the most captivating families in American fiction, the McCaskills. The witty and haunting narration, a masterpiece of vernacular in the tradition of Twain, follows the events of the Two Medicine country's summer: the tide of sheep moving into the high country, the capering Fourth of July rodeo and community dance, and an end-of-August forest fire high in the Rockies that brings the book, as well as the McCaskill family's struggle within itself, to a stunning climax. It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point — "where all four of our lives made their bend" — and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one's kin and one's self.
Showing posts with label Montana. Show all posts
Showing posts with label Montana. Show all posts
Monday, September 3, 2007
Montana
Framed said, "I just read English Creek by Ivan Doig, which is set in late-Depression era Montana. Like your other Montana suggestion, it involves the U S Forest Service and a host of other memorable characters. The narrator, a fourteen-year-old boy named Jick is particularly well-written."
In this prizewinning portrait of a time and place — Montana in the 1930s — that at once inspires and fulfills a longing for an explicable past, Ivan Doig has created one of the most captivating families in American fiction, the McCaskills. The witty and haunting narration, a masterpiece of vernacular in the tradition of Twain, follows the events of the Two Medicine country's summer: the tide of sheep moving into the high country, the capering Fourth of July rodeo and community dance, and an end-of-August forest fire high in the Rockies that brings the book, as well as the McCaskill family's struggle within itself, to a stunning climax. It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point — "where all four of our lives made their bend" — and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one's kin and one's self.
In this prizewinning portrait of a time and place — Montana in the 1930s — that at once inspires and fulfills a longing for an explicable past, Ivan Doig has created one of the most captivating families in American fiction, the McCaskills. The witty and haunting narration, a masterpiece of vernacular in the tradition of Twain, follows the events of the Two Medicine country's summer: the tide of sheep moving into the high country, the capering Fourth of July rodeo and community dance, and an end-of-August forest fire high in the Rockies that brings the book, as well as the McCaskill family's struggle within itself, to a stunning climax. It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point — "where all four of our lives made their bend" — and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one's kin and one's self.
Saturday, July 21, 2007
Montana
NOLADawn said, "Montana- A River Runs Through It"
One reviewer who is an educator wrote about A River Runs through It and Other Stories: "The man was able to write a simple book with far reaching messages. He is the person that allowed us to see the culture of a place and the power of a fly rod." Norman Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences, the experiences of a young man who found that life was only a step from art in its structures and beauty.
The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.
Bonnie says, "Another excellent book about Montana and fishing is The River Why by David James Duncan."
Since its publication by Sierra Club Books nearly two decades ago, The River Why has become a classic, standing with Norman Maclean's A River Runs Through It as the most-read fiction about fly-fishing of our era. Duncan's protagonist, Gus Orviston, is an irreverent young flyfisherman--a vibrant character who makes us laugh easily and feel deeply, and who speaks with startling truth about the way we live.
Leaving behind a madcap, fishing-obsessed family, Gus embarks on an extraordinary voyage of self-discovery along his beloved Oregon rivers. What he unexpectedly finds is man's wanton destruction of nature and a burning desire to commit himself to its preservation.
The River Why is a tale that gives a contemporary voice to the concerns and hopes of all living things on this beautiful, watery planet. It is the story of one man's search for meaning, for love, and for a sane way to live.
Two decades ago, I read this novel for a seminary class in ethics and especially like the man's humor. Now I have discovered a new book he wrote, called God Laughs and Plays: Churchless Sermons in Response to the Preachments of the Fundamentalist Right, which was published in February 2007. I'll have to get a copy of this one, too. The publisher says:
Maybe this isn't exactly a Montana book, but it does tell you something about the author of The River Why. He also wrote The Brothers K.
One reviewer who is an educator wrote about A River Runs through It and Other Stories: "The man was able to write a simple book with far reaching messages. He is the person that allowed us to see the culture of a place and the power of a fly rod." Norman Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences, the experiences of a young man who found that life was only a step from art in its structures and beauty.The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.
Bonnie says, "Another excellent book about Montana and fishing is The River Why by David James Duncan."Since its publication by Sierra Club Books nearly two decades ago, The River Why has become a classic, standing with Norman Maclean's A River Runs Through It as the most-read fiction about fly-fishing of our era. Duncan's protagonist, Gus Orviston, is an irreverent young flyfisherman--a vibrant character who makes us laugh easily and feel deeply, and who speaks with startling truth about the way we live.
Leaving behind a madcap, fishing-obsessed family, Gus embarks on an extraordinary voyage of self-discovery along his beloved Oregon rivers. What he unexpectedly finds is man's wanton destruction of nature and a burning desire to commit himself to its preservation.
The River Why is a tale that gives a contemporary voice to the concerns and hopes of all living things on this beautiful, watery planet. It is the story of one man's search for meaning, for love, and for a sane way to live.
Two decades ago, I read this novel for a seminary class in ethics and especially like the man's humor. Now I have discovered a new book he wrote, called God Laughs and Plays: Churchless Sermons in Response to the Preachments of the Fundamentalist Right, which was published in February 2007. I'll have to get a copy of this one, too. The publisher says:
In this multiple award-winning and bestselling diagnosis of the contemporary American spirit, David James Duncan suggests that the de facto political party embodied by the so-called "Christian Right" has turned worship into a self-righteous betrayal of the words and example of the very Jesus it claims to praise. In a bracing and often hilarious response to this trend, God Laughs & Plays offers "churchless sermons," stories, memoir, conversations, and cosmological reflections that scorn riches and embrace the poor; bless peacemakers, not war-makers; celebrate creation, diversity, empathy, playfulness and beauty; and insist that Divine Mystery is indeed mysterious and compassion is literally compassionate. The spiritual kingdom described by Jesus, this unusual book reminds us, is located not "in the Sky" or beyond a disastrous future, but within us, to be sought and embodied in the here and now.
Maybe this isn't exactly a Montana book, but it does tell you something about the author of The River Why. He also wrote The Brothers K.
Subscribe to:
Posts (Atom)
